b. 1890 - d. 1956
FitzGerald spent almost his whole life in Winnipeg painting, drawing and sketching quiet contemplative scenes. He trained in Winnipeg, Pittsburgh and NY. He was principal of the Winnipeg School of Art 1929-47, and exhibited with the Group of Seven in 1930 - joining the Group formally in 1932 - but remained a loner. From a decorative and impressionistic style FitzGerald moved to a pointillist technique.
In the 1940s FitzGerald turned to coloured chalks, pen and ink, and sometimes oil on a palette knife. After his death a set of self-portraits and drawings of the nude were found, unusual for the shy painter. He painted the apple in all media and was stimulated by visits to the West Coast. On a trip to BC, he met Lawren Harris and afterwards did pen and ink studies with thousands of tiny dots and dashes shaping the forms. By 1955 FitzGerald became totally abstract. The surface rhythms give way to a smooth brushstroke. His entire body of work is distinguished by a painstaking, original way of handling brush, pen, pencil, crayon or paintbrush to get his own look and texture.
Excerpt Courtesy of Canadian Encyclopedia