Koomuatuk Curley

 Koomuatuk Curley

B. 1984
Kinngait, Nunavut

Koomuatuk (Kuzy) Curley is a sculptor, director and videographer from Kinngait, NU. Curley learned to carve from his grandparents during the summers he spent as a child at their outpost camp near Kinngait and began to carve professionally while in junior high school, becoming the third generation carver of his family. In 2014 Curley directed his film "Kiawak Ashoona" and has exhibited his work across Canada including being featured in iNuit Blanche in 2016, St. John’s, NL. Curley has written for and appeared in the "Inuit Art Quarterly" as well as many other publications.

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Andrew Palongayak

Andrew Palongayak

B. 1946
Gjoa Haven

Andrew Palongayak is a stone and mixed-media sculptor from Gjoa Haven, Nunavut Territory. His wife, Ann Palongayak, and her brother, Ralph Porter, are also artists. Andy carves both animal and human figures, frequently depicting shamans and associated spirits. His carving evokes a sense of considerable strength and solidity.

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Markoosie Papigatok

Markoosie Papigatok

B: 1976
Puvirnituq, QC

Markoosie Papigatok is a well recognized carver based in Kinngait, Nunavut. Papigatok was born in Puvirnituq Nunavuk, Quebec. He learned carving by observing those around him, including his grandfather, Qavaroak Tunnillie, and uncle, Ashevak Tunnillie.

Papigatok’s sculptures have been included in exhibitions throughout Europe, Canada, and the United States. His work is continuously featured in the Canadian Art Gallery in Basel, Switzerland, and can be found in the public collections of the Musee d’art Inuit Brousseau in Quebec City, QC, and the Canada Council Art Bank in Ottawa, ON, among others.

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Napachie Pootoogook

Napachie Pootoogook

1938-2002

Baffin Island, Nunavut Territory

Napachie Pootoogook was known both for her prints and, later in her career, for her original drawings.  Napachie is known for documenting ancestral stories of camp life and legend.  Since the 1960s her work has been a highlight of the Cape Dorset Print Collection.  Her work was shaped by her experience as the last of a generation to live 'on the land' in a traditional way.

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Pauta Saila

Pauta Saila

Kinngait, NU

1916 - 2009

An innovative carver known especially for developing the dancing bear sculptures, Pauta Saila remains one of the most recognized Inuit carvers to date. Born in Kilaparutua camp on Baffin Island in 1916, Saila learned by watching his father to live on the land as well as how to carve. He remained a hunter throughout his life, and focused his artistic endeavours solely to carving in 1981. Saila also drew images of arctic wildlife and his work was featured in the Cape Dorset Annual Print Collection from 1962-1981. He was elected to the Royal Academy of Arts in 2003.

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Oviloo Tunnillie R.C.A.

Oviloo Tunnillie R.C.A.

B. 1949-2014

Cape Dorset, Nunavut Territory

Oviloo Tunnillie is the daughter of two artists, Sheojuk and Toonoo Tunnillie. From watching her father carve, she developed an early interest in the practice and completed her first sculpture in 1965. She is one of the only Inuit artists to choose nudes as her subject matter. 

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Kudluajuk Ashoona

Kudluajuk Ashoona

1958 - 2019

Cape Dorset, Nunavut Territory

Kudluajuk Ashoona's biological parents were the well-known carvers, Kabubuwa and Tayara Tunnillie. She was adopted by the family of the notable graphic artist, Simeonie Quppapik. Kudluajuk did not seriously begin to make art until 2011. In a rare reversal of influence, she was inspired to draw by her daughter, Nicotye Samayualie. Kudluajuk’s works are very narrative and literal. Her drawings often depict scenes of contemporary family life. Family outings, domestic gatherings and leisure activities are some of her favourite subjects.

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Ningiukulu Teevee

Ningiukulu Teevee

Ningeokuluk Teevee
B. 1963
Cape Dorset

Since her first prints appeared in the collection in 2004, Ningeokuluk has been one of Kinngait studio’s most celebrated artists. She has a comprehensive knowledge of Inuit legends and a fine sense of design and composition. These elements have made many of her prints highly sought after by collectors. Ningeokuluk has had numerous solo shows of her bold and resplendent drawings and some of her work has been featured in exhibitions in major public galleries and museums.

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